Pablo Picasso: Comparison and Contract of His Works Essay

The Artist. The man named Pablo Diego Jose Francisco de Paula Juan Nepomuceno maria de los Remedios Cipriano de la Santisima Trinidad Ruiz y Picasso is renowned for the shorter name Pablo Picasso. He was born on October 25, 1881 in Malaga City, in Andalusian region of Spain. His parents were Jose Ruiz y Blasco and Maria Picasso y Lopez. His bugger off was a painter who take a shited as a curator in a museum as well as a professor of Arts and Crafts. Pablo Picasso received breedal rusework training from his father at an early age. At sixteen, he was sent to Royal Academy of San Fernando to be an artist. His flora.He had galore(postnominal) artistic paintings from the beginning of his career. There were art creations by this genius that dandyly showed his evolution in polar art forms during his time. Among them are the kidskin with a come down in 1901, the Italian young woman in 1917 and the Girl Reading at a Table in 1934. The art qualities and representations of his arts were distinct with each others. The babe with a dive, which he made in the early years of his career showed the traditional sort of his arts representation. This displayed his technical abilities in painting as a young artist. The oil canvas was utilise with thick layers of paints or known as im byo.The artistic ability of Pablo Picasso was represented in a distinct light with his artwork in 1917, the Italian Girl. In this painting, he displayed a colorful synthetic cubism style different from his earlier traditional art. This painting holds the colorful and lively color of his early work with the Child with a Dove. However, the depiction of the human female form was represented in cubes which was an exact opposite of the form and shapes he had in his early artistic representation. Both paintings are oil in canvas. His other work that displays the female form is the Girl Reading at a Table in 1934.This artwork displays other totally different approach in his art. His adoption of the surrealism art is clearly depicted in this art. Although he still used oil in canvass, this specific art included enamel. Influences. The Child with a Dove was a pure and traditional artistic representation of the young artist that may greatly be from his training with his father. While in the Italian Girl, it depicts the Cubism art of his time. The true revolutionary approach of the Pablo Picasso here was stimulate greatly by Cezannes. The flattened space shown in the art was a great turn approximately from his traditional approach to art.Moreover, his great adaptation of the different artistic display was greatly seen in his surrealist art in his work, Girl Reading at a Table in 1934. At this time the great effects of the war were also seen in the many works of art just like that of Picasso. The classical scholar displays of artistry were then the mode after the shock and horror was over. Conclusion Generally, the Child with a Dove among the three mentioned arts was the most acclaimed of them. His works in the Blue Period which were realism were more certain than the later works he had which are debated.(Koppelman) His work of arts displays a real artist since he was not only known in one form of artistic representation but with a number of styles. Moreover, his fame after his lifetime proves that his contribution in arts of different forms. All in all, he was known to have an estimated 50,000 artworks during his life. He was capable of changes and adaptation of all the different eras of arts in his time. His pieces merchandising in millions of dollars in our time are evidences enough of his great influence to the arts in the past as well as in the present. The Picassos creature had been influenced on developing of Art and nuance of XX century.And on the world auctions before nowadays are searched and sat out for sale spic-and-span and new little known works of famous artist from his huge heritage (http//www. pablo-ruiz-picasso. net/) Works Cite d Hamilton, George H. (1976). Picasso, Pablo Ruiz Y. in William D. Halsey. Colliers Encyclopedia. 19. New York Macmillan Educational Corporation. pp. 25-26. PabloPicasso. Net. (unknown). , retrieved on May 07, 2009. Koppelman, Chaim (1988). Power and spunk in Men and in Picassos Minotauromachy. Aesthetic Realism Foundation. New York City 10012